I should like his movies but I just don’t. His films have great texture and authenticity but they are at odds with his stilted directing style tableau like staging.
Robert Eggers explains why he is directing a new ‘ROMEO & JULIET’ movie: “After ‘Werwulf’ I was writing another horror movie and it got so dark again that I was like, ‘I need a break,’ so I’ll just do something about 2 teenagers killing themselves.”
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People seem to have an incredibly hard time discerning the differences between art and just being creative.
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AI art is redundant, lowest common denominator, and democratizes art in the worst way. But so has the internet. We already live in a homogenous cultural hellscape. There’s no going back. Do something meaningful. Continue drawing anime and silly comics and you’re on your own.
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I’m not against AI in any meaningful way but it being used by people with no taste is really going to make the next 5-10 years unbearable. I’m sure it will have interesting down-stream effects but the democratization of art is a very bad thing.
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No one is to blame for the sad state of popular culture except consumers.
What’s the weirdest hill you’ll die on? Not politics. Not morality. Not anything serious. I mean the completely unnecessary opinion you’re willing to defend with your entire chest. I want the petty stuff.
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The Cragis retweeted
You can prove geologists wrong by just deciding they are. You don’t even have to get off the couch.
🚨 NEW - Pyramids in Ghuizou China - for decades , the People in this region of China were Gaslit by the Authorities saying these are Natural Formations. My verdict is that they are NOT Natural formations , but the area should be surveyed and escavated properly. I'm 98% sure that these are NOT natural formations. You don't need to be an archeologist to see it.
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But Atlantis isn’t even a myth. It was simply a metaphorical device used by Plato in a fictional conversation to prove the point that Athens is great. If Atlantis is so influential why is there no other mention of it anywhere else?
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I suspect running interference for a dude posting blatant Nazi-bait while claiming to be about “integrity” had more to do with it
Since Jimmy Corsetti is shocked, shocked, that scoundrels dare accuse him of antisemitism and his noble defender, that paragon of integrity, Dan the DeDunker insists that it isn’t like Jimmy posts Nazi bait, which presumably Dan might object to, I thought I, known scoundrel,
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Conspiracies have no place in archaeology. Clare has stated that excavations will continue but they will move forward with a preservation first mind set. The hope is that future archaeologists will have better technology to safely study the area. dainst.blog/the-tepe-telegra…
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Dammit. It was fun while it lasted. We’ll always have memories.
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These balloons have some nerve, invading our airspace like this. We need answers! The Novelty Amusement Products lobby is out of control!
Metallic object over Vernon BC. #uap
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Yes, it’s entirely impossible that someone working away on a tedious job might just keep going, particularly if the overseer isn’t paying close attention. Or that such incidents in other cases might represent shifts in direction of sawing. Or be related to flaws in the stone. Or to mid-project design changes. Or simple mistakes. It obviously *must* be high speed tools for which there is 0 evidence
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If only the Clone Wars show was done in Supermarionation.
The age thing is irrelevant but I kinda agree that the Woodblock art style of Clone Wars has always rubbed me wrong. I get it that George Lucas loved those old school puppet serials and that was the basis, but I sat through every season of TCW wishing it looked better
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If the argument were so sound you wouldn’t need to use pieces of modern sculpture to prove it. cadogangallery.com/artists/8…
Did the Ancient Builders of Peru Really Melt Stone? 🤯 The giant stone walls of Saksaywaman in Peru have puzzled historians, engineers, and curious minds for generations. Some of these enormous blocks weigh over 100 tons, yet they fit together so perfectly that not even a sheet of paper can slide between them. Even more surprising, no mortar was used to hold them in place. This incredible precision has inspired one of the most fascinating mysteries in ancient history. Could the builders have known a way to soften or even “melt” stone before shaping it? Some researchers point to unusual, glass-like surfaces on certain stones, while others suggest that a lost plant-based substance may have temporarily softened the rock. There is no scientific proof that these ideas are true, but they continue to fuel endless debate and curiosity. Most archaeologists believe the stones were carefully carved, shaped, and polished using remarkable skill, patience, and simple tools over many years. Yet one question remains: how did ancient builders achieve such astonishing accuracy with technology that seems so limited by today’s standards? Whether the answer is extraordinary craftsmanship, a forgotten building technique, or something we have not yet discovered, Saksaywaman reminds us that the ancient world still holds secrets waiting to be uncovered. Every massive stone invites us to ask the same question: What did our ancestors know that we have yet to fully understand? 🗿 What do you think—was it incredible human skill, a lost construction technique, or something even more mysterious? Share your thoughts below.
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What is the point of lying? Archaeological work has documented substantial Paleolithic material at and around the Richat Structure, including pre-Acheulean and Acheulean stone tools. No Atlantis, sorry.
No archaeological excavation of the Richat has been published. No ground survey looking for worked stone. A place matching a famous description in several particulars has never had the one test that would end the debate. What do you think we would find if we dug?
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There is also a simpler explanation: many early societies lived beside rivers, deltas, lakes, and vulnerable coastlines. Catastrophic floods are common enough, memorable enough, and socially disruptive enough to generate similar narrative patterns academic.oup.com/book/35373/…
The word cataclysm itself carries the memory of catastrophic flooding. It derives from the Greek cataclysmos, their term for the great deluge that reshaped the ancient world. In Greek mythology, Deucalion received forewarning from Zeus about an approaching flood and built an ark to survive, accompanied by his wife Pyra. The parallels to the biblical flood narrative are undeniable, yet the Greek account preserves details the Hebrew version omits, including the name of the survivor's wife. These aren't just stories. They're cultural memories of real events, preserved in different traditions across the Mediterranean world. When multiple civilizations independently record catastrophic flooding, separated by geography but united in their core details, the question becomes not whether such events occurred, but when and how many times.
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Egyptians recorded logistical information in writing. The Wadi al-Jarf papyri includes the diary of Merer an official involved in transporting limestone to Khufu’s project. These records provide direct evidence for material movement and labor organization world-archaeology.com/featur…
The Egyptians drew almost everything. Brick making, fishing, brewing, harvest, cattle counts, boat building. There is no wall scene of anyone building the Giza Pyramids.
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Funny because the armor missed the time period by about 700 years. Crested helmets, large round hoplon shields, and tube-and-yoke body armor are Classical Greek.
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Some people apparently think this UFO could be an alien space monster. The official documentation states the object appeared to be a "large, somewhat deformed balloon" that "traveled with the wind" and "made no maneuvers or change in direction".
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