Visual Effects | Virtual Production Supervisor | Cinematographer | Governor VFX @ TV Academy | Founding Member CCAI - Creators Coalition on AI | SMPTE RIS chair

Los Angeles
Stoked to have been Supervising the American Society of Cinematographers (ASC) @AmericanCine StEM3-VP Project to the (ASWF) Digital Production Example Library (DPEL). This has been a long effort by many the resources are open source for the industry. aswf.io/news/stem3-vp/
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And they really thought these were stand up guys going to bring jobs or hold to the deal they made.
Skydance’s David Ellison and Ynon Kreiz have sent a memo to employees about the merged Paramount-Warner Bros., acknowledging that layoffs will be part of the process: • “Integrating two companies will bring change, including difficult decisions that affect our workforce. We are committed to handling this process thoughtfully and respectfully.” • Paramount execs have said they are targeting more than $6B in annualized cost savings over three years, with some of those savings coming from layoffs. • The merger could result in the loss of some 4,500 film and TV jobs in L.A. alone over three years, per a Los Angeles County report. variety.com/2026/film/news/s…
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Giving a keynote this week on the future of motion and vision @optitrack at OptiFest lots of @UnrealEngine workflows. Robots, machine learning, tracked cameras fun. 🎥
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Jim Geduldick 🎥 retweeted
.@dgrobinson, who worked on OpenAI’s safety team, resigned from the company this week. “I believe we need to look deeper than specific rules or new laws. We need to talk about culture,” he writes: theatlantic.com/technology/2…
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Shot by my good friend DOP Greg Wilson back in 2013.
Replying to @wonderofscience
The full video, which includes footage from multiple runs, can be viewed here: vimeo.com/53914149
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Jim Geduldick 🎥 retweeted
I made a book to learn animation by actually moving stuff on activity pages: stopmotionbook.com It's a digital download so you can print it at home :)
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Just sayin.
In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.
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Craft over tools any day of the week. If you don’t know how to solve problems without the promise of some one-click optimization (fill in the blank) you cheat yourself from learning and exploration.
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Got to chat with VFX World for the new episode of the VFX Circle podcast to talk state of the industry, AI, filmmaking, technology and how I got my start. Check out the full episode youtu.be/PF5IDiOnX6k?is=raXG…
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🤘 @dgreenmachine 🎥🎉
‘COYOTE VS ACME’ will release on Digital tomorrow.
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I’ll be speaking at @filmindependent Forum this weekend about AI & creative work. Get tickets and check out the great talks on both days.
Meet the incredible filmmakers and industry professionals joining us at #FiForum26. Day 1 check-in opens tomorrow at 12:00 pm at the DGA. You can still be part of it! Get your pass here: bit.ly/Fi-Forum #FilmIndependent
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Jim Geduldick 🎥 retweeted
10.6.28. Only In Theaters.
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All those AI influencers and AI artists, filmmakers now have to change their titles to SI ( Super Intelligence)
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Jim Geduldick 🎥 retweeted
Two ASWF Virtual Town Halls tomorrow, Sept. 22! 🎬 🔹 2 PM PT: OpenEXR 3.5 updates with Cary Phillips, Kimball Thurston, Pierre-Anthony Lemieux & Vlad Lazar. 🔹 3 PM PT: OpenImageIO 3.2 with Danny Greenstein & Larry Gritz (@SonyPictures). Register: hubs.la/Q04xZPDK0
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Espresso fueled Saturdays. Building this out a bit more for an upcoming film and it’s mighty handy. GSplats & Volcap sim. Can load in GSplats and create them from the 76-120 @RED_Cinema KomodoX & RaptorXL does a lot more for multiplex & multipass lighting and the array.
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💯
Coyote vs. Acme has officially passed a new box office milestone, once again proving Warner Bros. was wrong to shelve the project. bit.ly/4yEWQW8
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