introducing the storage fund
i'm starting a grant program. it walks artists through storing their work on bitcoin permanently and covers the inscription costs.
the storage fund is entirely self-funded, costs artists nothing, and takes no cut of any sales.
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Parker Ito, from JstChillin and Cheeto to Drilady and Horses?7.
Our new Artist Profile traces two decades of image-making across online communities, painting, installation and on-chain systems, with original conversations with the artist.
Read: automat.art/profiles/parker-…
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Our new website is live
The foundation to go crosschain
-Collections
-People
-Multi-Wallet collection galleries
-1/1s
-Open editions
-Series + 1/1 auctions
-RWA drops
Bookmark collections for later
Read texts about and by the scene
Maybe more tmrw just to feel something 🫦
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ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN Party, celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture.
The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda.
Together they span three decades of practice on the web, from the playful interventions of 1990s net.art pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet.
Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm.
On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York.
Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art.
The venue for this exhibition was graciously provided by New International Picture Company.
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"Lowbie and Duc de Berry on LOG and the NFT-to-Zine Pipeline" by @vvvdotso with @archivepilled & @DucDeBerrry
The artists on creating LOG (@l______o______g) and turning NFTs into zines
👍 lerandom.art/editorial/lowbi…👍
Mentions: @egfreid @fairybaby420 @Yeche_Lange @innenbooks @bis__cut @johnsolnft @Gremlins2Movie
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Right about now marks the first day of Spring in the southern hemisphere and the first day of Autumn in the northern hemisphere 🍂 🍃
Phenology studies the natural phenomena relating to the rhythmic biological nature of events. In this series, phenology merges with wave and vibrational phenomena, known as cymatics; where biodata (electrical conductivity) is recorded from the botanicals at the time of each respective season, are sonified into frequencies with the emergent patterns fixed to paper.
You can read more about the layered process in the link below.
Spring, dry pigment on Hahnemühle etching paper, 80cm x 120cm, Col. @__proper
Autumn, dry pigment on Hahnemühle etching paper, 80cm x 107cm, Col. @JacCourtney
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Introducing:
Seamless
3 artworks - 10 editions each
Tuesday Sept 1st (8PM CEST - 2PM EST)
→ seamless.nahikomikasa.com
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Coming Tomorrow:
Espressoids by Helena Sarin
The artists long awaited espresso cups will be available in two sizes for 1 week only.
Official link with all information to be posted tomorrow!
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happy thursday,
i was there and now im here, but who am i now that im here? @manta_timing
Naives @mannay
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card nft 2
Card NFT 2. 🤩
Released by @bis__cut during the deepest, DARKEST depths of the bear market that we've ever seen.
Sold-out within an hour: secondary holding 4x from initial pricing. It's series like this that ya' should keep your attention towards.
No crypto-momentum was necessary because the art is PHENOMENAL. Learn your signals.
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shocked pikachu face dot jpg
New MIT paper finds that you can can delete an artist from an AI model's training data & nothing changes.
CSAIL engineers also observed that it's hard to trace AI-generated images to specific data. Their work raises new questions about AI copyright: bit.ly/3U6ZncH
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Introducing Sky World: Infinite Blue
I'll be making annual "expansion pack" installments in the Sky World universe, starting with 25 new scenes from 2025
Public sale goes live on @verse_works tomorrow (Thurs) 12pm ET, $500/piece. Presale for Sky World collectors starts now
This is the first new series I'm selling made entirely by the AI model I trained to replace me, via a process I call Autosky. The model is on a continuous, autonomous loop scanning the web for images that define this moment, curating them, and using the process I taught it to render them in the Sky World aesthetic
You may also notice that there are more than 25 pieces available. Different people connect with different works, so I wanted to give collectors the opportunity to find the ones that they personally really love. The 2025 edition will close after 25 mints, and those 25 will be the final selection for this year
Works available here: verse.works/series/sky-world…
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📣 ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), presents: WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by curatorial duo LAN Party (@bennavkim and @benoit_tokyo_), celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture.
From the playful interventions of 1990s net.art pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet, WWW! honors the website as an enduring site of experimentation, identity, and autonomy.
Presented as live websites installed physically across the gallery, this exhibition bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm.
The full artist lineup will be announced on Tuesday, September 1, 2026.
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sign of the times that i collected (and still own) hundreds of pieces from fxhash and feel completely indifferent to this announcement
To everyone, thanks for the amazing years. It seems that the fxhash platform has come to a close. The artwork, however, lives on.
The lack of communication around the wind-down is regrettable. To clarify and provide some closure:
The entire fxhash team was let go in February, except for the founder. Currently, there appears to be no attempt being made to close on the loan offered to the company (the loan was previously mentioned in a post by ciphrd).
Therefore, no current or future development is being planned. The website is now offline, and it is unclear whether it will come back.
To all the people who made fxhash possible: artists, collectors, team members, enthusiasts, supporters, partners...in short, EVERYONE who took part in the special happening that was fxhash...THANK YOU!
We shared so much together and had a truly wild code-based ride. Thankfully, @verse_works @lerandomart @objktcom are supporting the viewing & exchange of artworks published on fxhash. Mega props to them for staying true to the mission through difficult times.
And former fxhash front-end developer @maerzhase3000 has developed a framework for keeping fxhash artwork available without relying on fxhash infrastructure: whitehash.m3000.io
It's too bad things ended like this. But between the monumental trove of artwork that formed a unique creative movement and the friends we made along the way, some might say we lived it to the fullest.
The discord community is indeed still online and active if you're looking for a place to hang and talk about the good ol' days.
Pictured: fxhash generative logo #1, minted 03 Nov 2021 @ 13:28 for 0.1 tez
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