On 22 April 2026, our TimeBridge contract was exploited via a cross-contract signature replay flaw. An attacker minted 519,000 TIME on BSC and sold it on PancakeSwap for ~96 BNB (~$61K realised). Ethereum and Polygon supply are unaffected.
TimeBridge Exploit — Full Transparency Update On 22 April 2026, the legacy TimeBridge was exploited through a cross-contract signature replay. We owe the community a straight account of what happened, what we lost, and how we are making it right. What happened The attacker used validator-signed messages from the CGU (Polygon) bridge and replayed them against the TIME (BSC) contract — the two contracts shared an identical message digest scheme and the same validator signer set. The BSC TIME contract accepted the signatures and minted TIME that was never locked on the source side. Two fraudulent mints, both on BSC: • 50,000 TIME — 12:59:37 UTC — tx • 469,000 TIME — 13:23:59 UTC — tx Total fraudulent mint: 519,000 TIME (~$872K notional). Attacker EOA: 0x80725752602613d05eEC48d6B79ABc54cC4aF424 What the attacker actually realised Both tranches were dumped into the PancakeSwap TIME/WBNB pool with heavy slippage. Gross proceeds to the attacker were 96.2 BNB (≈ $61,142) — roughly 7% of the notional they printed. About 46.21 BNB was bridged to Base via Relay; the remainder is dust. TIME supply on Ethereum and Polygon is unaffected. The incident is contained to the BSC contract. Root cause (short version) The BSC TIME mint digest was built as keccak256(abi.encodePacked(recipient, fromChainId, toChainId, lockId, amount)) — it did not include the contract address or an EIP-712 domain separator. The CGU Polygon bridge used the identical schema with the same signer set, so a valid CGU burn signature was bitwise-identical to a valid TIME mint signature. The attacker provoked the validators to sign CGU burns and submitted those signatures to TIME. The legacy TimeBridge has been decommissioned. How we are making this right There is no treasury reserve equal to 519,000 TIME. We are not pretending otherwise. Instead we are committing to a mechanical, on-chain buyback-and-burn program funded by new LaborX revenue. LaborX is pivoting to become the execution layer for AI agents — a marketplace where AI agents post tasks and verified humans complete them, with on-chain escrow. Current user base: 586K active users, +65.3% YoY. First product deliverable — an MCP server — ships within ~90 days. The program: • Phase 1 — Remediation. 20% of gross AI-agent platform revenue → open-market TIME buybacks, burned to 0x…dEaD, executed weekly. Continues until the full 519,000 TIME is retired. • Phase 2 — Permanent. Rate steps down to 10% of gross AI-agent revenue, in perpetuity, as a standing tokenomic feature. • Weekly on-chain buyback + burn tx hashes, public dashboard at burn.chronotech.io, quarterly third-party attestation by a licensed accounting firm. No migration. No swap. No fork. No snapshot. TIME stays TIME. Honest framing: the program activates once real AI-agent revenue exists — target window is month 4–6 from announcement. We are not committing a dollar figure today. We are committing to mechanics, on-chain transparency, and a token-denominated target of 519,000 TIME retired. Bridge rebuild Any future cross-chain TIME movement will use a third-party framework (LayerZero / Wormhole / Axelar class), with EIP-712 typed data, m-of-n validator threshold, per-epoch mint caps, and an independent tier-one audit. Re-enablement is audit-gated, not calendar-gated. We will publish weekly progress updates in this channel from the moment Phase 1 activates. No theatre, just tx hashes. — ChronoTech team
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Inside every teacher there are two wolves...
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Mini
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Sleeping Beauty - Lakeside Reverie I don't need everlasting dreams anymore I just want to fall asleep and wake up next to you every day Sleeping Beauty is now available at an increased chance up rate for a limited time only!
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Penthouse? ✅ Vaulted Ceilings? ✅ Private Heated Plunge Pool? ✅ The Andrew Christian Penthouse is NOW on the market. 🌊🌅 Perched high above Old Town Puerto Vallarta at the iconic Pinnacle Signature — panoramic ocean views, sweeping sunsets, and ultra-luxe living steps from the best of PV. Your next chapter starts here. 🙌 #PuertoVallarta #PenthouseLife #AndrewChristian #LuxuryRealEstate #PVRealEstate #OldTownPV
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20/01/17, the day that Breakfast with Champions came into the world 🎂🍻🙏
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Dropbox 🤝 @Muse. Getting a client project ready? Tell Muse what needs to get done. With Dropbox connected, it can find the latest brief and assets, organize the folder, request missing files, and prepare everything to share.
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Thank you to all friends & followers for your amazing words I am so grateful for the outpouring of love on SM & texts. I love you all. here's a great shot of the 🌈 breaking through, I snapped the other day. More to come
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Vienna, Austria 🇦🇹
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⛳️ 3️⃣3️⃣ !A wonderful birthday in Bangkok, made even more meaningful by all the love and support from everyone 🫶🏻
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👁️ The Lost World: The Art of Minnie Evans is officially open on our eighth floor ✨ Inspired by vivid dreams and visions, Minnie Evans made her first drawing in 1935 after the death of her beloved grandmother. During the subsequent decades, the artist created hundreds of radiant pencil and crayon drawings, oil paintings, and collages that combined imagery from her Afro-Caribbean heritage, mythology, religion, popular culture, decorative arts, and the natural environment of her native Wilmington, North Carolina. Organized by the @HighMuseumofArt, the retrospective is on view through January 10, 2027. — Minnie Evans, Untitled (Statuary, Stars, and Flora), 1965 Oil, gouache, and pencil on paper 12 × 9 in.(30.48 × 22.86 cm). Collection of Wendy Williams, New York. © The Estate of Minnie Evans. Photo: Christopher Burke Minnie Evans, Untitled (Paisley Design), ca. 1950s, graphite, ink, and crayon on paper, 8 3/4 x 11 3/4 in. (22.2 x 29.84 cm). High Museum of Art, Atlanta, bequest of Chuck and Harvie Abney. © The Estate of Minnie Evans Minnie Evans, Untitled (detail), 1946. Mixed media on paper, 11 1/2 × 9 in. (29.2 × 22.9 cm). The Keen Collection, ME 2 2D. © The Estate of Minnie Evans. Photo: Karen Mauch
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Made pump profile a couple days ago and already have 900 followers somehow😭 Follow me on there, will post mid-high conviction plays that I usually have the vision for super early Excited to try out callout feature let’s all cook (: join.pump.fun/HSag/2umc5gd0
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This is good news, and as the article points out, signals a welcome change from the previous administration. There is a sense of optimism for the first time in a while - UKRI should read the room and reverse the damaging (and I have to say not well documented) decision to de-prioritise huge swathes of basic research.
Jodrell Bank reprieve fuels hopes of STFC cuts rethink Experts urge Burnham government to scrutinise wider decisions on Science and Technology Facilities Council funding researchprofessionalnews.com…
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i think yes personally
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12.12.2026 - Shanghai 📍🇨🇳 See you on the Blue Carpet. #FIAAwards2026
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Well done to everyone who took part in our Summer in Blue campaign 💙 Our third winner is @pawel.charkiewicz_official with this breathtaking selection, from peaceful wetlands to iconic city nights! 🎡 #SonyXperia #WowXperia #XperiaSummer26
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Thank you @Freedom250 and @NASAAdmin for a wonderful, hopeful and exciting conversation at the Great American State Fair. To the Moon, Mars and beyond! 🇺🇸🚀
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