Founder of The Infinite Productions | Animator turned GenAI filmmaker | Follow for cinematic short stories & occasional AI takes

USA
Worlds I dreamed about as a kid are knocking. I built a playable prototype in 1 day with Astra. Procedural terrain, curved horizons, pixel-rendering with @babylonjs , atmospheric shaders, and landmarks that grow as you approach. Ty @Stefan_3D_AI for the inspo!
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What a lovely song. Wonder what it could be for... 👀
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Oh snap! 🔥Finally, some good news from MJ. Time to *roll up sleeves* and give it a test. With my personalized style refs, I find MJ is still the most creative image model. With editing built-in, should save me a ton of time, and skip the NBP/GPTImage step for adjustments.
A lot of people are wondering how to use our new edit model for consistent characters and more - so we made a video for you <3
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Preview mode is here on Dreamina! 🥳 This is a big win for AI filmmakers, since the cost to explore and tinker was rather expensive with SD2.5.
New on Dreamina AI web: preview before you commit. A global first. 🎬 When you pick your model, choose the one tagged (for preview) to see your idea first: ‣ Preview: Generate and compare at 480p as many times as you like—at just 1/8 the cost of 1080p. ‣ Final: Pick your favorite result and generate it in 1080p. The output stays faithful to your preview frame. Explore more of your video creation ideas affordably so every shot gets another take. 🕐 Available now across Southeast Asia, the Middle East, Africa, Europe, and South America. More countries and regions coming soon. #DreaminaAI #DreaminaAIforPreview
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dunno if I'm gunna make it to reset...😂 @OpenAI's Astra has been a huge unlock. gunna need a bigger compute budget apparently... *cancels $200 anthropic sub* 🤫
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epic film. take some time to watch Sam's 10 min masterpiece. 🔥
“The Miracle” Premieres Now: I gave this film everything I had. Pushed myself creatively and technically, experimented a ton with new tools + models and at times got stuck, started over and wondered if I could pull it off. Excited + nervous to finally share it with you. Enjoy!
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There's something about this style that just hits... I've been working on a solution for pixel shimmer. it's an incredibly interesting challenge
a little reflection goes a long way in setting the mood more work on the water shader
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👀 characters, story, world. lets see...
Fewer than 1 in 20 films submitted to Fairground make it to Amazon Prime, Roku, Xumo and LG. So…what actually makes the cut for Fairground AI TV? Since launch, one question has come up more than any other from the AI filmmaking community: what is Fairground looking to distribute? To answer it, we asked Alexandra Mills, our Head of Production, to explain what makes the cut for Amazon, Roku, and our other platform partners. Here's how the team evaluates content: Story first. "Plot, characters and the world are always top of the list," Alex says. "A tight 5-minute film with a real story beats a beautifully rendered 20-minute film with a weak plot, every day of the week." Length matters, but not how you'd think. Content needs to be 3+ minutes. Longer generally makes distribution easier, but length never wins over quality. Focus on the story and the length that best fits. That's what matters. Original IP Only. Every submission through the Fairground Portal goes through copyright, music licensing and trademark reviews prior to distribution. Collectively, we need to ensure that all work is 100% original and is the very best of AI cinema.  Make sure everything, including your music, is original. Formatting is strict. We distribute only 16:9 right now (no vertical), and we're aiming for PG-13 as the default, though we do have late-night slots that can carry TV-MA and above. Genre shifts with the calendar. We distribute across every major genre, but what we prioritize moves with tentpole moments and what our platform partners need. Right now: horror for Halloween, and animated work for a separate opportunity. And the thing that matters most: did we feel something? "Did the combination of human artistry and generative AI tools produce a story worth telling?" Alex says. "That's the real bar, and it should be every creator's North Star." The decisions don't stop once content airs. Fairground runs dynamic scheduling, constantly watching how content actually performs. Stream starts, watch time, overall session time. Overperforming content earns a better slot. Underperforming content makes way for something new. The lineup is never static, and neither is the bar we use to make decisions. As the technology improves, standards will increase over time. If you are submitting new content for consideration, it may take 3-4 weeks for it to be reviewed for distribution, as submission volume has increased since launch. We appreciate your patience and while it may take us time to review your film, we want to give it the time and consideration it deserves. We don’t want to rush something you put time, money and real work into. We just wrapped our first month and the data has already surprised us. More on what we're learning (including a heat map of our top-performing programming windows) is coming soon. For now: what other questions do you have? Drop your questions below, Alex will be reading and answering in the comments👇
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love this
Everyone thinks the considerate thing to do is ask when someone seems to be hurting. Not always. Asking is for you. You get to feel like you helped, and the discomfort moves off you and onto them. So he does the one thing she requested: nothing. #dreaminacpp @dreamina_ai
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amazing film by Jordan!
What makes something beautiful? For centuries they said, "Beauty is in the eye of the beholder", meaning you get to decide what's beautiful, and no one can take that from you. Now, they want to take that back. Now, they want to tell you what's beautiful, what is art, what is creative, and what is worthy. The good news is... Who cares what they think? Who cares what they say? They have no power. Their words are dust. You decide what's beautiful and moving, exciting and entertaining. Art is yours to love or hate. No amount of gold and worship placed at the feet of one piece of art should sway us to value it. And no screeching voices, or shrill cruelty demanding you surrender your opinions should steal it away. • Beautiful A short film by Jordan Daniel Chesney Produced by @capcutapp Special thanks to @Orangedudull Special thanks to @invideoOfficial • Hopefully this little film exemplifies that Seedance 2.5 have completely changed the game when it comes to performances. I have NEVER been able to get such perfectly dialed emotions, even with SD2. This was the first time I was actually moved by a performance. I felt something real. I STRONGLY RECOMMEND you head over to @capcutapp Creator Studio, select Seedance 2.5, and see what kind of performances you can bring to life. We have enough fight scenes where no one gets hurt, sweeping aerial shots, and dragons breathing fire to last us a lifetime. Let's try something new because now... we can.
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NULL is an official selection at BISFF 2026! I never imagined this film ending up in an Oscar-qualifying international competition when I set out to make it. Still sinking in. Bengaluru, August 14-16. Thank you @bisffblr.
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BISFF Animation Selection announcement:
The official finalists of the Animation Competition at BISFF 2026 have been selected. These exceptional animated short films now compete in our Oscar®-qualifying category, showcasing remarkable creativity, craftsmanship, and storytelling from around the world. The winner of the Animation Competition will become eligible for consideration in the Academy Awards® Best Animated Short Film category. Congratulations to all the selected filmmakers, and we celebrate your incredible work at BISFF 2026! #BISFF2026 #AnimationCompetition #OscarQualifying #Animation #OfficialSelection
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just watched early showing. another masterpiece coming soon. 😎
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Very useful breakdowns for price comparisons and the deals around SD2.5. Pass on a thanks to @VictorInFocus for the data!
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Brett Stuart retweeted
LISTEN UP! 🔊 URGENT TRANMISSION FROM THE FRONTLINES! SEEDANCE 2.5 This is how you prompt for no music in the new Seedance 2.5 update. Thanks to K9PLD for sharing!
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Dialogue has 3 jobs. (1) Move the story. (2) Show who's talking. (3) Sound like a person. The first two are pretty lenient. There are endless ways to push a plot or show a character. The third is the hard part, because real people are guarded & mostly boring. Every good line ever written sits where the 3 overlap, & the overlap is tiny. Once you see how small the target is, the state of dialogue right now makes a lot more sense. (3/8)
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People hear believability first & assume it means boring. It's the opposite. Run that '...evil lies" scene through the filter. Kids who watched monsters kill soldiers days ago don't hold a debate. They cry, they cling, one of them goes for the window, another rocks in the corner. Same plot beat, & now it's actually frightening. The believable version is usually the more dramatic version. The audience stops translating & starts feeling. (7/8)
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GenAI changed one thing in dialogue's favor: screen minutes stopped being expensive. TV crams exposition into every line because minutes cost a fortune. Ours don't. Characters can trail off, pause, say nothing. The way real humans speak is full of that stuff & it never survives a network budget. We're the first filmmakers who can afford believability at scale, & many spend it on more plot instead. Stranger Things didn't get big because of the monster. It got big because a mom screaming at Christmas lights felt real enough to believe. The lights were the spectacle. The dialogue did the work. Write the human first. The rest is render time. (8/8)
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